Zigzag Music Productions
THE ART OF CREATIVE SOUND

1. You’re paying 2. You learn and develop valuable and transferrable skills 3. It’s not a distance learning course, so…… …..while I’ve posted a lot of detail on the blog for both assessments, you MUST attend to absorb 100% of the detail. Your participation is essential, as is sharing information or immediately bringing to my…

Here are a few notes to remind you of what we covered in week 1: Overview – portfolio, 2 assessments + blog (weighted 40/40/20) NB: DVD-ROM or CD-ROM must accompany the cover sheet when you submit to the i-centre on Tuesday 8th May before 5pm All info you need about the module is on this…

Wednesday 9-11 Jamie Bellinger – sax (alto|soprano) Geoff Geer – guitar David Hartmann – guitar Robert Makin – bass guitar|piano Thomas Pavlopoulos – ? Andi Sampson – acoustic guitar Fiona Stephens – bass Amaan Fatmi – ? Robert Newsome – ? Wednesday 11-1 Nathan Cowell – guitar Andrew Haley – drums Reece Hughes – acoustic…

VLE – Recording Techniques

Assessment 2 – Stereo Recording / Sound design Use AB, XY, NOS and MS to discover the best techniques for instrumental and ensemble recording 1. Make 4 short recordings, using the above stereo techniques (with a voice over ʻidentifierʼ) of 15 – 30 seconds of the same instrument or ensemble to demonstrate the result of varying…

A remix…to help you familiarise yourself with Pro Tools and in particular the four elastic time algorithms available, in preparation for assessment 2. Stage 1 Before you start importing and editing, use the main counter selector to choose min:secs: Import (shift command I) the 24 bit stereo wav “Bombat” and choose ‘new track’ to place it…